[PDF.81hy] Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage
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Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage
Susan Thomas
[PDF.fx44] Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage
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| #1829649 in Books | 2008-11-11 | Original language:English | PDF # 1 | 9.00 x1.00 x6.00l,1.20 | File type: PDF | 264 pages||14 of 27 people found the following review helpful.| WHAT HAPPENED TO THE MUSIC?|By BAILADORA FINA|There was an old time movie director who, by the autumn of his life, had become a living legend. Constantly revered for his body of work he would inevitably be asked to be the guest of honor at symposia where his work and career were discussed. Film fans, notorious for finding hidden meanings and symbolisms in their favorite fi||
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"A fascinating interpretation and tightly focused look at the vernacular zarzuela ... as created in Cuba in the 1920s and 1930s."--The Bulletin of the Society for American Music
On September 29, 1927, Cuban soprano Rita Montaner walked onto the stage of Havana's Teatro Regina, her features obscured under a mask of blackened glycerin and her body clad in the tight pants, boots, and riding jacket of a coachman. Standing alongside a gilded carriage and a live horse, the blackfaced, cross-dressed actress sang the premiere of Eliseo Grenet's tango-congo, "Ay Mamá Inés." The crowd went wild. Montaner's performance cemented "Ay Ma...
You can specify the type of files you want, for your device.Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage | Susan Thomas. I was recommended this book by a dear friend of mine.
